Scenarios
of the Commedia dell'Arte
Flaminio Scala's
Il Teatro delle favole rappresentative
Translated by Henry F. Salerno
Published by New York University Press
University of London Press Limited, 1967
411 pages
Flaminio
Scala's book Scenarios of the Commedia dell'Arte is made
up of fifty Commedia dell'Arte scenarios believed performed by the famous
Gelosi Company from 1578 - 1604. The Gelosi Company home was in the
Venetian Republic and the company performing throughout Europe. They
performed what we call the Northern Commedia dell'Arte, different from
the Southern Commedia dell'Arte. This translation is more for scholars
studying Commedia from an academic point than performers, but it is
one of the best collections of scenarios that have survived from the
time of the Commedia dell'Arte that is translated into English. To teach
or perform Commedia dell'Arte, you need to know complete original scenarios,
which this book provides. When reading it, you will easily find many
pieces of Shakespearian plays, i.e. Romeo and Juliet, only it is a comedy
with a happy ending. The appendix covers the English (Shakespeare) and
French playwrights showing what these writers took from these scenarios
for their plays. This book is must for any theatre library or theatre
professional. If you read Italian and can obtain an Italian copy, do
so.
The
Italian Comedy
By Piuerre Louis Duchartre
Published by Dover Publications, Inc
Published in 1966 originally published by Geroge G. Harrap & Co.,
Ltd, 1929
366 pages
This is
one of the best, most complete books on Commedia dell'Arte available.
It will give you a complete overview, including 259 illustrations, pieces
of scenarios, complete Commedia dell'Arte Character breakdowns, history,
information about companies, women and more. The Italian Comedy
is still in publication, has had many printings and it is one of the
must have books for any theatre library and is well priced. If your
budget can only afford three books, it would be this one and the one
above Scenarios of the Commedia dell'Arte and below The
Commedia dell'Arte.
The
Commedia dell'Arte
By Giacomo Oreglia
Translated by Lovett F. Edwards
Published by Dramabook
Hill and Wang NY
First Published by Sveriges Radio, Stockholm in 1961
First Dramabook edition March 1968
158 pages
According
to the late Carlo Mazzone-Clementi, this is the best and most accurate
book on the Commedia dell'Arte. Of course, it is out of print. But your
library should have it or you can ask your library to get it though
the Interlibrary
Loan System system in the United States or International
Federation of Library Associations and Institutions' International Lending
outside the United States. The Commedia dell'Arte includes 4 complete
scenarios, 58 illustrations, history, technique, the major characters,
including lovers, women masked and unmasked and the great companies.
A must have book if you can get a hold of it.
The
Commedia dell'Arte in Naples:
A Bilingual Edition of the 176 Casamarciano Scenarios
Translated and Edited by
Francesco Cotticelli, Anne Goodrich Heck and Thomas F. Heck
Published by: The Scarecrow Press, Inc, 2001
V I, 561 pages, V II, 568 pages
Yes, a
new publication and still in print! This is the best book on the Southern
Commedia dell'Arte that I've seen and the best new book published on
the Commedia dell'Arte as of July 2008. It is different from the Northern
tradition of the Commedia dell'Arte, with which most people are familiar,
Scenarios of the Commedia dell'Arte. The authors/translators
have excellent reputations and the forward can be a book on its own
covering Commedia dell'Arte history, the translation and finding these
scenarios from the 1600's. What is also lovely about this book is that
you do not have a so-called "expert" telling you what
Commedia dell'Arte was and is. Rather here is a book where you can read
for yourself the scenarios they performed.
The English
translation is excellent, as they have tried to be as exact as possible
preserving some of the fine detail of the structure of the scenarios
that make it great for performers, directors and teachers. The authors
also encourage institutions to try to perform these scenarios and do
not ask for a royalty fee if you're an educational institution. They
would like you to send them a video of your performance - actually you
can send one to me as well. The Commedia dell'Arte in Naples
will give you a real window into this Southern Commedia dell'Arte company
that performed these scenarios.
There
is one wonderfully frustrating things about these scenarios. Often in
the scenarios, it refers to a character doing his or her lazzi.
We have no idea what those lazzi's were, but they wrote it for
their use and not for ours. It is up to the performer today to come
up with these lazzi's now. Many characters can be totally unfamiliar,
so you will also need to buy an excellent English and Italian dictionary
(a cheap paperback Italian dictionary will not cut it). Looking up the
names of the characters, the translation will give you a window into
many of these Southern Commedia characters.
This is
a pricey but excellent-valued two-volume set - you get two books, one
in English, one in the original Italian. They also include several pages
of the original handwritten scenarios. An excellent and important buy
for your Commedia dell'Arte Library and I would suggest purchasing it
before it goes out of publication.
Masks
and Marionettes
By: Joseph Spencer Kennard
Kennikat Press, Inc.
Published 1935, reissued in 1967
129 pages
If you
can find this book, grab it. The Commedia dell'Arte character descriptions
are some of the best that I've ever read. Brighella's description is
exact and Kennard covers Brighella's many relatives. The women of the
Commedia dell'Arte are well covered. You will even find an amazing short,
strong monologue, what I assume was a verbal lazzi, by
Isabella Andreini going into the relationships of women with young lovers
and old men marrying young women. Isabella Andreini does not hold anything
back this verbal lazzi.
Kennard
covers possible connections that lead up to the Commedia dell'Arte and
the relationship with the scenario and elements of Greek plays. He does
not shy away from the scatological elements of the Commedia dell'Arte;
even covering wild very early Commedia dell'Arte performance before
Royalty where the performers were not wearing much.
It is
the way in which he presents the facts of the Commedia, with the very
accurate character descriptions, scenario, companies, individuals and
history, that makes this book a must have. The last chapter covers Marionettes,
which is where you will find the closest thing to Commedia dell'Arte
today in Italy. This is an excellent book for theatre teachers, directors
and Commedia dell'Arte actors.
Lazzi
The Comic Routines of the Commedia dell'Arte
By Mel Gordon
Published by PAJ Playscripts General, 1983
92 pages
This book
is about lazzi and gives lists of lazzi's performed along with
the dates, broken into different categories. It is an interesting book
and the only one I know of like it covering lazzi as its main
topic. It has a simple one-line glossary of characters. This is not
the most important book to have but it will help support books above
and gives another window in Commedia dell'Arte. It is also not a pricey
book, so it is easier to add Lazzi to your collection.
Gregorio
Lambranzi
New and Curious School of
Theatrical Dancing
The classic Illustrated Treatise on Commedia dell'Arte Performance,
1716
137 pages
Many dancers
love this book. It includes illustrations with the music and words of
Commedia dell'Arte dances performed in Germany in the early 1700's.
You can also find various famous lazzi's. The illustrations depicting
the actions of the lazzi's that took place on stage with the
words and music below the illustrations. This makes up most of the book.
It is a unique book and important for any theatre library and can be
important not only for actors, directors and teachers but also dancers
and musicians.
The Moving Body
By: Jacques Lecoq with Jean-Gabrel Carasso and Jean-Claude Lallias
Translated by David Bradby, forward by Simon McBurney
Published by: A Theatre Book Routledge NY
First Published in 1997
168 pages
Jacques Lecoq is my teacher and this is his only book. It is not about
Commedia dell'Arte, but does have a small section on Commedia dell'Arte.
This book is important for everything else it includes especially the
mask section. It is an important book for any theatre library just because
it is the only work that the master teacher Jacque Lecoq wrote. It is
nothing like going to the school in Paris (which I still recommend as
the top physical theatre school although there are some others in Europe
that look interesting) or studying with excellent teachers trained at
Ecole Jacques Lecoq. But it is the next best thing. The Moving
Body is a very important book if you teach theatre.
Circus
Techniques
By Hovey Burgess
Published by Brain Dube, 1976
7th printing
162 pages, 300 photos
This is
the bible of circus technique. I work with Hovey and he is one of the
world experts in circus. He has taught circus technique at NYU for over
40 years. Circus Techniques has more than 150 circus stunt
techniques, such as acrobatics, balancing, toss juggling (balls, rings,
clubs), devil sticks, diabolo, rope spinning, spinning plates, hoop
rolling, trapeze, slack rope, tightrope and much more. This book is
another must for any well-rounded theatre library. If you have trouble
finding it, email me.
Other
books
Italian popular comedy: A study in the commedia dell' arte, 1560-1620
by Kathleen Marguerite Lea
Oxford, The Clarendon press, 1934
I hear
wonderful things about this book but it is out of print and I have not
been able to get a hold of it. Some Libraries do have this book and
it would be worth looking for it. If anyone would like to send me a
copy of the book to me, I would be happy to receive it.
Commedia
dell'Arte: An Actors Handbook
By John Rudlin
282 pages
Many people
like this book and feel it is important to have in your library. After
you have all of the above books, then I would buy this one.